the photographs are all of são paulo and explore images, shadows, reflections and illusions. we organized the photos by moving from the most ‘figurative’ (simple, with more readily identifiable objects) to the most ‘abstract’ (full of layers), as if the reader were slowly disappearing into a cave, where the distinction between thing and image, real and reflection, becomes increasingly blurred and tenuous.
the booklet was to consist of 8 sequential accordion panels (4 of which can be seen here), with 4 2x3-size photos on each, together composing a 32-picture narrative.